The Internet is rife with theories that have to deliberately skew or ignore certain facts, or else these arguments would knowingly fall apart. No topic is free from such needless conjecture, including the films from Pixar Animation Studios. The backlash borne from the last few films Pixar has made—up to and including their newest, Monsters University—has spawned a number of editorials and a few dreaded not-a-word “thinkpieces” trying to get to the bottom of the problem. The question at the root of the “problem,” of course, is one that can’t be answered on a grand scale, but must be given some texture: “Why are Pixar’s films not as amazing as they used to be?” Of course, this argument could be more accurately phrased as, “Why doesn’t Pixar make movies I, the writer of this editorial, like anymore?” And it’s important to be vigilant, watching for the flaws inherent in these articles.
The Pixar Perspective on ‘Monsters University’ and the Impossible Dream
WARNING: This article will discuss, in at least moderate detail, the last act of Monsters University, so the spoiler-phobic should consider themselves…well, warned. Again, major spoilers ahead!
Each of us reaches a point in our lives where we are forced to come to terms with the limitations of life. We all have dreams as children, of becoming astronauts, or movie stars, or athletes, in spite of the harsh reality that few of us—if any—will ever achieve those goals. If you grew up during the early 1990s, you might’ve thought, “Well, I’m going to be the next Michael Jordan. That’s just how it is,” while shooting a free throw or two into the basketball net in your backyard. Or maybe you thought you’d be the next Arnold Schwarzenegger while playing with a Terminator action figure. The odds, however, are stacked against the majority of us. The flashiest jobs are the ones we gravitate towards in our imaginations, but the humdrum avocations are the ones we’re likely to end up working in.
The Pixar Perspective on The Pixar Moment in ‘Monsters, Inc.’
We’re only a few days away from a very exciting time of year for Pixar fans, the release of their newest film. For their fourteenth effort, as you are no doubt aware, Pixar is looking back with a prequel to Monsters, Inc. called Monsters University, in which we see how Mike Wazowski, James P. Sullivan and the rest of the Monstropolis crew became the adult monsters they were in the 2001 movie through their collegial exploits. And so, why not spend today’s column looking back at that original movie for another monthly look at a Pixar moment? The world of Monstropolis, sometimes more teased at than revealed in full, is a fascinating parallel to humanity, yet its apex is a series of doors to our world.
The Pixar Perspective on Groundbreaking Nostalgia
The cornerstone of the Walt Disney Company is nostalgia. Every film they make, every character they create, every world they concoct furthers the notion that looking back at your past, dreaming of a time when everyone said it was truly wondrous to be alive, well before the minor frustrations of the future took over, is the best possible way to approach life. What are Disney’s theme parks if not various ways in which to embrace youth, either your own or the country’s? So many of their movies call to mind a vision of the “good old days,” a manufactured simulacrum that makes us wistful, wishing we’d been around at the turn of the century, say, or that we’d known as we lived our childhoods that we should cherish them appropriately. The irony is that the more technologically groundbreaking Disney films—and especially Pixar films— are, the more nostalgic they become.
The Pixar Perspective on Making Two Films a Year
Late last week, the Walt Disney Company decided to expand our knowledge of their inner workings just a little bit, specific to the future of their animation studios. Anyone who may have been concerned, for example, that Walt Disney Feature Animation would be going the way of the dodo (this writer is among them) could breathe a bit easier because of this news story. In some ways, the entire story is fairly random—why Disney chose to announce its animation slate through 2018 at the end of May 2013, we may never know—but it’s got plenty of information we can parse through. Specific to Pixar and this week’s column, the topic of concern is multiple films in one year.
The Pixar Perspective on Adaptations
Pixar Animation Studios is the exemplar of originality in Hollywood. This is what we remind ourselves when we get frustrated that they’ve announced a sequel to Finding Nemo or a prequel to Monsters, Inc. If those sequels turn out to be more like Toy Story 2 instead of Cars 2, then good for all of us. But when we think of Pixar, we think original. They may pay homage to animated and live-action films from across the globe, of course; however, what the animators and filmmakers in Emeryville, California do has always been based on original ideas. Today, after considering a recently unearthed report, it’s time to ponder the opposite: what if Pixar did traffic in adaptations of preexisting material?
The Pixar Perspective on the Importance of Continuity
Over the last year or so, there’s been a trend online where people create short videos in which they list a series of problems they spotted in a mainstream movie, from Skyfall to Looper to The Dark Knight Rises. These videos all have received a disturbing amount of traction, as if their creators deserve a pat on the back for seeing what the rest of us, apparently, didn’t see or chose to ignore. These bite-sized excuses for modern film criticism are created by people who presume they’re being insightful, which is far from the truth. Better still, when they’re called out for their unnecessary whining, as happened when Looper’s director, Rian Johnson, got audibly frustrated at one of these videos, they half-heartedly shield themselves behind the “Oh, it’s just a joke!” excuse. Among Pixar films, Brave avoided this nitpicking—at least on such a grand scale. But if this video is any hint, we may need to batten down the virtual hatches because the nitpickers are already unloading on Monsters University. [Read more…]
Extras! No. 1 – Ducky, Randall, ‘Brave’ Tees, ‘Presto’ Sculpture, Linguini Costume, Pixar Tour
Yesterday, we launched a new column called Al’s Steal of the Day, meant to highlight great deals on Pixar related items. Today, we are launching yet another column – Pixar Extras! – set up to bring you bits of Pixar from around the web. It is a collection of Pixar-related artwork, products, and cool goodies that may not make make it into their own full-blown articles, but are too sweet to simply ignore. Check out this week’s edition of Pixar Extras! after the jump! [Read more…]