California based artist Dennis Salvatier produces some extremely charming and appealing art. His portfolio is filled with distinct takes on characters from pop culture. Combining a strong eye for design with some really appealing character designs, it’s easy to see why his work is so popular. Browse his portfolio to see the diverse set of skills he brings to his illustration, logos and design work. We thought he’d bring a great perspective to the world of Pixar and he certainly didn’t disappoint. We’re thrilled with his adorable tribute to some of Pixar’s biggest films. Our thanks to Dennis for contributing this fantastic piece. Read on for more about Dennis in his own words.
What separates Pixar Animation Studios from the rest of mainstream animation companies, as this column has mentioned plenty of times before, is its willingness to take a risk. In many ways, they’ve been operating under a system of risk from the very beginning, before they were even an established name in the TV-commercial business. The first major risk they overcame was the very acceptance by the public of computer animation being utilized for a feature film; in the intervening time, the biggest risks they overcame were story-based, as they pinned their hopes on movies about robots who don’t speak a discernible human language, a rat who wants to cook, and more. But in recent years, the risks they’ve run up against are, in some respects, of their own doing. To wit: how risky is it for Pixar to invest more heavily in the future on sequels than on new original films? Does the studio stand to lose its respect among the public by reviving old characters instead of creating new ones?
Newt is the only announced Pixar feature film that failed to make it to theaters. Set to tell the story of a male and female newt forced together in order to extend their dying species, the film was being directed by Gary Rydstrom, who previously directed the short, Lifted. However, Newt was cancelled, which left eager fans, who had become caught up in the idea and gorgeous concept art, perplexed. The reason for why the film was cancelled has finally been revealed.
There is an infectious and positive energy to the work of Colorado-based artist Luke Flowers. His style is distinct but versatile and full of personality. One look at the amazing images he’s created for us and you’ll see what I mean. Mashing up Pixar characters with some iconic films of the 1980’s, Luke has created an homage to both segments while still maintaining his own signature style and charm. He really threw himself into this project and we couldn’t be more pleased with the outcome. A third poster was created for this series but, you’ll have to head on over to his site to see that one. It’s pretty great. While you’re there, you can get a closer look at this on-going project and see a little more detail about each poster he’s created so far. Our thanks to Luke for all of his time and effort on these wonderful images. Read on for more about Luke in his own words!
Mondo has become the face of the movement to create limited-edition posters of films. Designing great posters requires the ability to tell a short story about what viewers can expect through a limited amount of space. Setting out to develop posters for classic films, when millions have seen them and have grown fond of them, is not as easy as it sounds, but Mondo has quite a number of talented and creative artists by its side. New limited-edition Pixar posters are coming soon, including for WALL-E and Up. Take a peek at them after the break! (UPDATE: Online sale info has been added at the end of the post!)
The question asked in the headline of this article is a ridiculous one but as we have often seen, the Internet is always prepared for situations like this. Where there is an outlandish idea, there are some creative folks waiting to provide us with a preview of what it may look like. There were no Pixar films nominated for an Academy Award this year, but what if characters in the studio’s catalog appeared in the nine films nominated for Best Picture – what would that look like? Find out after the break!
It seems we have no shortage of UP fans here on PixArt. This latest tribute to Carl and co. comes to us from artist Tommy Doyle. Tommy does some amazing character art and illustration. There is a real sophistication to his use of color and texture that takes his charming personalities to a different level. We are so thankful to Tommy for taking the time to create this wonderful piece just for us. Make sure to check out more of Tommy’s work at his website and on dribbble. You can also follow him on twitter and Instagram. Read on for more about Tommy in his own words!
Masses of color and restrained line work come together beautifully in the art of Greg Wright. The New Jersey-based illustrator creates some rather fantastic character designs and posters. He seamlessly combines illustration, design and text in some rather elegant compositions. Check out his site and tumblr for more examples of his expertly constructed creations. Our sincere thanks to Greg for taking the time to contribute this wonderful tribute to the characters from UP. We are thrilled to showcase his work on our site. Read on for more about Greg in his own words!
Though it isn’t the first of Pixar’s films to inspire audiences to reach for as many tissues as possible, Up may be the most universally successful at getting grown men and women to do some good old-fashioned ugly crying. Up, released in May of 2009, was the first of Pixar’s films to be presented in both 2D and digital 3D; that latter format allowed many to use their 3D glasses as a shield, to make sure no one around them saw the tears streaming down their cheeks. However, just as it’s a predictable response that the majority of people who saw Up were viscerally impacted by the first 10 minutes, the reaction to the film as a whole has also become slightly stereotypical, summed up as follows: the so-called “Married Life” montage, in which we watch the lead character, Carl Fredricksen, and his wife, Ellie, as they live their lives over multiple decades, culminating in her death at an old age, is excellent. It’s amazing! It’s emotional! And the rest of the film can’t even begin to compete with its devastating, heartbreaking finality.
Trends always crop up in movie news, whether they’re based in fact or not. As such, the trend last week was cinema icons announcing their retirement. (Or, in the case of the most famous purported retiree, Jack Nicholson, sources said that he had already retired, then other sources backtracked and said the initial claim wasn’t true. Even though he’s got nothing in the pipeline. So you never know.) Specific to this column, Hayao Miyazaki, the master behind Japan’s Studio Ghibli animation studio, announced that his newest film, The Wind Rises, would be his last. Now, it’s worth noting that Miyazaki has said in the past that he’d retire, but this time, at least, he seems fairly serious about leaving behind the director’s chair. Many words will be written about Miyazaki’s influence and about the great films he’s made over the last 30 years from Princess Mononoke to My Neighbor Totoro. If he’s going to stick to his guns this time, if The Wind Rises is Miyazaki’s final directing effort, then it may be high time to wonder who will take up his mantle of making animation for everyone, not just for kids.