Mondo has become the face of the movement to create limited-edition posters of films. Designing great posters requires the ability to tell a short story about what viewers can expect through a limited amount of space. Setting out to develop posters for classic films, when millions have seen them and have grown fond of them, is not as easy as it sounds, but Mondo has quite a number of talented and creative artists by its side. New limited-edition Pixar posters are coming soon, including for WALL-E and Up. Take a peek at them after the break! (UPDATE: Online sale info has been added at the end of the post!)
As expected, 2014 has been fairly quiet so far for Pixar Animation Studios fans. Seeing as both Monsters University and The Blue Umbrella didn’t receive any Oscar nominations, there’s no studio-specific rooting interest in the upcoming Academy Awards ceremony. The next Toy Story TV special won’t be on ABC until, presumably, this December. And, as we all know, there’s still nearly a year and a half until Pixar’s next new feature film, Inside Out. In the meantime, thus, this column could either choose to focus on a recent bit of fan art gone wrong, or accentuate the positive and discuss the ways in which Pixar has embraced the quirks and stylistic flourishes of live-action filmmaking over the years. The latter option is far more palatable and less likely to induce a massive headache on this writer’s part, quite frankly. (Quickly, regarding the former option: inserting Pixar characters into live-action movie posters is a fine idea. Inserting Frozone into the 12 Years a Slave poster, in place of Chiwetel Ejiofor, is at best wildly misguided, and at worst something far more despicable.)
The question asked in the headline of this article is a ridiculous one but as we have often seen, the Internet is always prepared for situations like this. Where there is an outlandish idea, there are some creative folks waiting to provide us with a preview of what it may look like. There were no Pixar films nominated for an Academy Award this year, but what if characters in the studio’s catalog appeared in the nine films nominated for Best Picture – what would that look like? Find out after the break!
We have often seen the incredible work that Imagineers can produce, from the attractions themselves to the designs of the buildings that house them. The Seven Dwarfs Mine Train coaster is nearing its opening at Walt Disney World’s Magic Kingdom park, and it looks more incredible than ever. Out in Disneyland Paris, the construction for the Ratatouille ride is also nearing completion, and a buzz is in the air from all the excitement. After the break, take a look at the beautiful plaza where the ride will be located!
There are many reasons why Ratatouille is a great film – its story, memorable characters, and, of course, its music. Michael Giacchino, composer for the film, had previously worked with director Brad Bird on The Incredibles, and has gone on to collaborate on other Pixar projects. Giacchino has also worked on the music for Disney attractions Space Mountain and Star Tours: The Adventures Continue. The worlds of Disney and Pixar are crashing together with Ratatouille: The Ride coming to Disneyland Paris this year, and Giacchino is returning to compose the music for that as well!
Ratatouille is not a property that is seen often throughout Disney’s theme parks. The main character, Remy, used to make an appearance at the Chefs de France restaurant at Walt Disney World’s Epcot park, in a great interactive session with diners. An attraction is currently being built, though, at Disneyland Paris’ Walt Disney Studios park, and it looks like it will be a great addition. More details have been released, about the story of the ride, which you can take a look at after the break! [Read more…]
We have lost one of the greatest and wiliest actors of the 20th century in Peter O’Toole, who passed away yesterday at age 81. He had announced his retirement from acting in the summer of 2012, but of course, he can’t really ever fully leave us. We will never see a new performance from this titan, but those he delivered over a 50-plus-year career are among the most memorable in all of cinema. Of course, any fan of Pixar Animation Studios knows O’Toole best as the voice of Anton Ego, the feared critic with whom Remy the rat clashes in the second half of Ratatouille. But well before he entered the recording booth for one of only a few voiceover performances, Peter O’Toole entered the pantheon of cinematic perfection with a string of roles most actors would kill for.
The unsubtle art of product placement has been present in film dating all the way back to the era of the silents. As of late, however, people have grown so tired of seeing real-life products or brand names being painfully evident that it becomes the first topic to discuss, as opposed to the plot or characters. (A recent example is Man of Steel, in which Ma Kent works at the local Sears, per her prominently displayed nametag, which she’s seen wearing at home.) Product placement by itself is not automatically a bad thing. Sometimes, it’s used subtly enough by a filmmaker to not be obnoxious; using a fake generic name for Google or a similar search engine, for example, can often be worse than seeing a character just go to Google. On the flip side, some filmmakers or actors are so blatant about the product placement that it becomes satire; you’d have to look to TV for the prominent examples, such as David Cross hawking Burger King on Arrested Development or Tina Fey on 30 Rock looking into the camera and asking for “our money” after bragging about her cool new cell phone. To take money from sponsors and using their products in your film is a delicate balance, in short; being too obvious may bother audiences.
Trends always crop up in movie news, whether they’re based in fact or not. As such, the trend last week was cinema icons announcing their retirement. (Or, in the case of the most famous purported retiree, Jack Nicholson, sources said that he had already retired, then other sources backtracked and said the initial claim wasn’t true. Even though he’s got nothing in the pipeline. So you never know.) Specific to this column, Hayao Miyazaki, the master behind Japan’s Studio Ghibli animation studio, announced that his newest film, The Wind Rises, would be his last. Now, it’s worth noting that Miyazaki has said in the past that he’d retire, but this time, at least, he seems fairly serious about leaving behind the director’s chair. Many words will be written about Miyazaki’s influence and about the great films he’s made over the last 30 years from Princess Mononoke to My Neighbor Totoro. If he’s going to stick to his guns this time, if The Wind Rises is Miyazaki’s final directing effort, then it may be high time to wonder who will take up his mantle of making animation for everyone, not just for kids.
Think back, if you will, to May 30, 2003. Just over ten years ago, Pixar Animation Studios released Finding Nemo into theaters to widespread critical and commercial success. But, for the purposes of today’s column, we won’t be considering that film as a whole, nor will we focus on its impending sequel. No, what we’ll look at today is what was attached to the Finding Nemo prints at theaters nationwide: a teaser trailer for The Incredibles, the first Pixar film from Brad Bird. The teaser featured footage that—as is customary for such advertisements—never appeared in the finished film. (Of course, the gag at the crux of the teaser—that the former Mr. Incredible had let himself go to the point where he couldn’t fit inside his old super-suit anymore—is used to fine effect in the movie, just in a different context.) Nevertheless, this first marketing salvo for The Incredibles demonstrated in less than 2 minutes the kind of movie audiences could expect: there would be physical humor borne from character development and there would be an old-fashioned design and ethos to the world this mysterious Mr. Incredible inhabited. The rest, we’d have to wait and find out about…in nearly 18 months.