It’s high time that Pixar was funny again. Before you begin writing fierce and angry comments, keep reading, even if you’re tempted not to. When people think of Pixar’s highest creative peak, they likely consider the four films released between 2007 and 2010: Ratatouille, WALL-E, Up, and Toy Story 3, movies typified more by their emotional highs than comic highs. This is not to say that this quartet of films aren’t funny; they are, and frequently so. But think of Up, and you hear the tinkling sounds of Michael Giacchino’s Oscar-winning score and the “Married Life” montage in its opening act. Consider WALL-E, and you may think of WALL-E and Eve swirling around in space, triumphant in their mutual admiration and determined to help the human race evolve once more. And Toy Story 3’s final act is an emotional flood for most audiences. Pixar hasn’t stopped being funny, but they’ve allowed themselves to be swept away by that flood.
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